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Released November 17th, 2006, 'Casino Royale' stars Daniel Craig, Eva Green, Mads Mikkelsen, Judi Dench The PG-13 movie has a runtime of about 2 hr 24 min, and received a user score of 75 (out of.
Death is not the end for Sir Sean Connery. The actor will likely spend the afterlife looming over the James Bond franchise the same way he did during his time alive. Connery is forever tied to Bond, defining the character outside of Ian Fleming’s novels and creating a promise of adventure that has captivated audiences since the 1960s.
Connery’s Bond ended up being a prototype for a variety of shades of masculinity throughout the 20th century, a roguish cad who could kill as quickly as he could seduce. Future Bonds, wisely not attempting to capture Connery’s elastic presence, would typically lean into one of those traits. By the late 2000s, Pierce Brosnan had honed in on the “roguish cad” element, happy to play up Bond’s sense of charm with the Cold War over.
Daniel Craig moved the needle in another direction. With 2005’s Casino Royale, Cad was out, cold-hearted killer was in. It was a reboot that revitalized the franchise. And it's the movie you need to watch before it leaves Hulu on November 30. Here's why.
In looking at where to take the franchise after Brosnan’s last performance as Bond in 2002’s Die Another Day, studios wanted to roll back from the special effects which had defined that movie. Recent hits like The Matrix and Minority Report made James Bond look outdated. Q’s special weapons and invisible cars couldn’t hold up, and while some humor was always welcome, it risked undercutting the action.
Casino Royale, which in an earlier iteration had once been a Bond parody, emerged as a hard reboot of the franchise. Gone was Miss Moneypenny, gone was John Cleese as Q, gone was the double-oh. One thing that wisely stayed was Judi Dench as M. But while the movie sticks to the Bond script, it tries to flip expectations whenever possible.
It’s most recognizable in the film’s first scene. Even during the dog days of formulaic Bond films, the opening scene has always remained a tour de force. Disconnected from the rest of the plot, the opener of any Bond film is a showcase, a pure action sequence meant to awe. (Though the upcoming No Time to Die is poised to break that tradition.)
Casino opens in black and white. Even when Sean Connery was headlining Dr. No, James Bond wasn’t in color. But the minimalism works, letting the audience watch Craig drown someone in a toilet. His death is visceral and painful to watch. When asked if he had a good death, Craig responds no.
Recalling noir more than Bond, Craig soon kills his target, a traitor within British intelligence. The film very much wants to emphasize that James Bond is a person who kills other people. While he gets off a one-liner, it feels crueler than before. The movie then jumps into one of the franchise’s best title sequences alongside one of its best songs, Chris Cornell’s “You Know My Name.”
The mid-2000s were notable for their gritty reboots — Casino Royale came out the same year as Batman Begins. But while Casino Royale is a gritty reboot, it also captures the sense of wonder that would accompany the franchise’s heyday: the idea that buying a ticket to a Bond movie was buying a ticket to a sensory experience you couldn’t get anywhere else. That’s an idea that trickles throughout Casino, right down to the tears of blood from Mads Mikkelsen's Le Chiffre — fantastic as an evil banker who might be over his head when taking money from warlords.
Casino Royale builds a new Bond mythology from scratch, emphasizing physically punishing fights (like it’s memorable parkour sequence) that show the agent as a bulldozer in a world full of walls. The franchise may have made some mistakes afterward, but this oneearned its spot in the Bond canon by willing to tear down everything that didn’t work and build it all up again.
Casino Royale is streaming on Hulu through November 30.
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Filmteam
Coordination art Department : Decker Lancret
Stunt coordinator : Alanood Méthot
Script layout :Tore Geneve
Pictures : Boutang Shonda
Co-Produzent : Maven Nicola
Executive producer : Besson Serhan
Director of supervisory art : Milos Karen
Produce : Raphael Derick
Manufacturer : Caisse Jeff
Actress : Ailly Margaux
Le Chiffre, a banker to the world's terrorists, is scheduled to participate in a high-stakes poker game in Montenegro, where he intends to use his winnings to establish his financial grip on the terrorist market. M sends Bond—on his maiden mission as a 00 Agent—to attend this game and prevent Le Chiffre from winning. With the help of Vesper Lynd and Felix Leiter, Bond enters the most important poker game in his already dangerous career.
7.4
6514
Casino Royale | |
Clock | 166 minute |
Release | 2006-11-14 |
Kuality | DTS 1440p DVDrip |
Categories | Adventure, Action, Thriller |
language | English, Français |
castname | Aucoin P. Barbet, Moisset J. Pranaya, Kassius Z. Leondra |
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Film kurz
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Spent : $214,370,366Income : $148,165,867
category : Schwert - Biographie , Armee - Poetry , Drama - Fidelity , Verantwortung - Abtreibung
Production Country : Norwegen
Production : Asread
**2006 - the year they turned Bond into a common soccer hooligan.**
In 2006, the film makers - no longer under the watchful eye of the late Cubby Broccoli decided to run away from making James Bond movies. They also cast a short blonde man as 007. They screwed with the gun barrel and the tone of the once lively, over the top and amusing series was now one of tedium.
It's all over for Bond films now unless they decide to make real Bond films again and not this monotonous and bland rubbish.
It's shame that Cubby was not still around to keep Eon Productions in line and stop them ruining 40 years of hard work.
- Potential Kermode
Arrogance and self-awareness seldom go hand in hand.Casino Royale is directed by Martin Campbell and adapted by Neil Purvis, Robert Wade & Paul Haggis from a story written by Ian Fleming. It stars Daniel Craig, Eva Green, Mads Mikkelsen, Judi Dench, Jeffrey Wright & Giancarlo Giannini. It's the 21st film in the James Bond franchise.
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Plot finds Craig as Bond, newly promoted to 00 status, he is thrust into the murky world of high financed terrorism.One of the hardest series of films to get right, with some of the most committed of fans, is that of the James Bond series. To wit, there will never ever be a Bond film that will appease every fan across the board. The complaints will range from not enough gadgets, too far removed from Fleming's essence, not serious enough and vice a versa: too darn serious. Then there is the usual round of arguments concerning the leading man stepping into the tuxedo, for every Bond fan ready to fight to the death in the name of Sean Connery, I'll find you another prepared to back Timothy Dalton's take on the Martini swigging legend. Once it became clear that Pierce Brosnan had run his course as Bond, bowing out with the super silly Die Another Day in 2002, the pressure for any new Bond, both the actor and the makers, was immense. 2006 and time had moved on, and we live in different cinema times, spy movies are a different breed to what went before, The Bourne Identity had raised the bar. The news filtered thru that Bond was to be rebooted and that Daniel Craig was the man to be Bond. The howls of derision could be heard from as far as the tropical locations so in keeping with a James Bond plot. Too Blonde, too craggy faced, not tall enough, and why reboot a much loved franchise anyway? It was war and the heat was turned up to full.
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Casino Royale still has its critics, but as majorities go as regards a Bond film, this one has the biggest sway. Sure, the Daniel Craig haters will not be bowed, they can't after all lose face after such a vitriolic campaign against his casting, but few, I suspect, can seriously deny Casino Royale is not a magnificent Bond movie. Just a peak at the Worldwide box office figures shows you how well received it was, making nearly $600 million, those are figures that do not lie. The truth is that Casino Royale has almost everything you could wish for from a Bond movie, and a little more. Gorgeous locations, beautiful women and reams of action; where, the stunt department reach new heights. It's also refreshingly in keeping with Fleming's original story, only major difference here is that the makers have upgraded it to a post 9/11 world. There's nods to traditional franchise staples, whilst also neatly streamlining some of the previous film's comedy scene fillers. Smart villain too, Mads Mikkelsen's Le Chiffre, complete with creepy eye issue and loyal girlfriend, is a villain not trying to blow up the world because he's mad, but trying to outwit Bond to stay alive! That's great stuff that keeps a Bond thriller alive and well.
But for all the energy and pyrotechnics (there's enough in this one film to have filled half a dozen of previous Bond entries), a Bond film can only succeed if the leading man is up to scratch. Thankfully, and joyously, Craig nails it, both in physicality, swagger and raw egotistical aggression. More telling is that Craig's Bond is more human that what we are used too, at one time suave and appearing unruffled, the next, bruised battered and emotionally conflicted. This is a new and rounded Bond, given impetus by Craig's powerful presence. He is helped by Eva Green putting brains and slinkiness into Vesper Lynd, a Bond girl to turn Bond's head in a way not seen since Diana Rigg's Tracy di Vicenzo in OHMSS. Though one of the film's rare missteps is to under write the part. Felix Leiter also gets a quality tune up in the form of Jeffrey Wright, Judi Dench's M kicks arse and Giancarlo Giannini adds a touch of continental class as Bond's Montenegro contact René Mathis. Layered over the top is a nifty score by David Arnold, blending traditional Bond flavours with high energy bursts and Phil Meheux's photography brings optical delights in the Bahamas, Czech Republic and Italy.
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Opening with the best chase sequence in the whole franchise and closing with an ultimate Bond moment, this is reboot supreme. It's high energy with intelligent humanistic smarts and Bond is back: blonder, brutal and most assuredly better. 9/10